Showing posts with label Edinburgh. Show all posts
Showing posts with label Edinburgh. Show all posts

Wednesday, 27 June 2012

Artist's Uncovered: Olivia Irvine

Our ‘Artist Uncovered’ for June is Scottish painter and artist Olivia Irvine. Irvine’s work is a fascinating inclusion in the Art in Healthcare’s collection. One part is due to her art, which I’ll discuss in a moment; the other is that her professional and artistic career combines art with healthcare. Initially she pursued a career in medicine, studying and volunteering as an auxiliary nurse during the summer months; however after realising where her true passion lied she switched to study drawing and painting at the Edinburgh School of Art. The experiences she had while working and studying in medicine gave her a real interest in issues involving art and healthcare institutions.

Irvine paints a whole manner of different situations and draws from inspiraion from across the world. The three paintings in Art in Healthcare's collection are all inspired by gardens. Each one is an image of the outside world which contains its own unique metaphor. For example ‘Kite flying’ is a symbol of freedom. The monoprint depicts the idyllic scene of two children flying a kite in a lush green field. It is an uplifting and bright image that allows for nostalgic response as it reflects an enjoyable children’s pastime.


  
Kite Flying
Olivia Irvine

‘How does your garden grow’  is a rather intriguing image, an insight into the artist’s memory as she paints a scene from her early childhood. The landscape here is one she used to spend time in as a little girl and the painting explores how the centre piece of that landscape changed from a sandpit to a flower bed. The painting is abstract and multilayered with different tones and shades, playing on light vs. dark. The feelings she explores with this image are this idea that landscape can grow and change simultaneously to us growing up and changing as people.

 ‘I want to invoke a psychological response’

How Does Your Garden Grow
Olivia Irvine

‘Another metophoric painting of Irvine's we have in Art in Healthcare's collection is 'The heat of the moment’ . This simple painting of a young tree surrounding by a metal protector acts as an artistic metaphor for protecting oneself against adversity. This is my personal favourite image out of the three as I feel it perfectly sums up Irvine’s artistic inspiration and practise. She takes a simple and familiar landscape and creates a pictorial language that conveys a comforting and positive dialogue. I believe this is one of the many reasons her work is so suited to Art in Healthcare.
The Heat of the Moment
Olivia Irvine

Olivia Irvine’s paintings are colourful and interesting additions to healthcare settings. They invoke an optimistic and affirmative message that is so important when being exhibited in spaces that may traditionally hold negative connotations. Irvine's relatable and familiar pictures are a very welcomed addition to both the Art in Healthcare collection and the healthcare settings they are displayed in.
 
‘It is great for patients, visitors and staff. It makes the place looked cared for.’

Wednesday, 9 May 2012

‘ARTISTS UNCOVERED’: Heather Pugh

My name is Melissa and I am a post graduate student at the University of Edinburgh with my academic interests focusing on art, design, history and culture. I became involved with Art in Healthcare as I’m passionate about getting art out of the gallery and into the community. This is the first blog post for an exciting new project entitled ‘Artist’s Uncovered,’ where Abi Allsopp (AiH's new Media Manager) and I will highlight an artist and their work belonging to the Art in Healthcare collection. The project aims to increase awareness of the various and exciting artworks on display in health and care settings through a bi-monthly blog paired with a video showcasing the chosen artist for that month. Furthermore it enables me to explore why artists are attracted to the charity and how they feel about exhibiting their creations outside a more traditional gallery setting.  

Off the Cuff
 
Heather Pugh’s sculptural artworks are fantastic additions to the charity’s art collection and are already earmarked to be put on display in Edinburgh’s new Royal Victoria hospital with generous financial support from the Hope Scott Trust. Her paintings are bright, colourful and quirky, illuminating warmth and cheerfulness. Each of her creations is completely original and could not be replicated as she utilises objects discarded in bins or found on the city streets. She then arranges these found objects, adding or cutting away at them before applying paint and sometimes other media to create multi-layered and intriguing artwork. Her inspiration stems from the things she finds, taking something ordinary with a defined purpose to establish something new and completely unique.
‘To be blunt my work is almost like glorified recycling’
Ten of her works have been purchased for the AiH collection to be displayed at the hospital and my favourite is ‘Off the Cuff.’ The colours make up an attractive palette: contrasting and bold yet still working together and with the multiple components making the piece visually stimulating. Firstly, there are everyday mundane objects such as a hinge and a door handle, which are painted over in geometric pattern and stripes transforming the lowly door handle into a decorative adornment. Pugh is interested in hinges because of their use and function; they are designed to open and close doors and compartments but by placing them in an alien environment their function changes completely.
Another exciting piece is ‘Sign of the Times,’ which drew my attention by incorporating a key initiating me to ponder where the item originally came from and did the owner miss it. Is whatever the key used to unlock unable to open now? The idea for the painting was inspired by Pugh playing with a piece of wood on her jigsaw, which then developed and expanded after a friend gave her some unwanted objects, including the keys.
‘A key is something every day and by changing its function it tied in with my theme of recreating the mundane.’

Sign of the Times

‘Every Nook and Cranny II’ was also motivated by Pugh’s jigsaw and relates to a piece she made the year before that shares a similar colour palette. The aspect that really interests me in this painting is how she cuts away at the artworks surface, revealing new layers and sometimes completely exposing the wall behind. The manipulation has been made through the addition of enamel and acrylic paints and removing pieces of the jigsaw puzzle and wood.
These artworks are exceptionally enjoyable to look at and emit a positive energy that patients, staff and visitors will greatly appreciate. Most people who need to spend time in a hospital would likely rather be anywhere else and as these environments can be quite dreary, clinical and even a little scary, colourful and uplifting artworks like Pugh’s can make such a difference. Hospitals hold many negative connotations, yet the aim of a charity like Art in Healthcare is to make places like these more pleasant and welcoming. Furthermore, Pugh hopes that her artworks will have a significant therapeutic and affirmative effect on patients’ wellbeing and happiness, as she describes below:
‘Art in Healthcare is a great way to add colour and atmosphere into hospitals, providing a type of therapy for people going through often and anxious circumstances, Things visual are often memorable in our minds eye, and I think it’s great to have art work in hospitals, which are often associated with negative times. If my work can portray any positive emotion in people, and make people smile for a moment, it’s a job well done.’

Every Nook and Cranny II





Feel free to leave a comment and tell us what you think of Heather’s work or what we're doing here at Art in Healthcare. Cheers!

Wednesday, 24 March 2010

Project with Edinburgh World Heritage and St. Crispin's School

We're very excited to be asked by Edinburgh World Heritage to work with them on a project to reach out to the young in Edinburgh. As part of World Heritage Day that EWH is organising in April, we will be bringing some beautiful pictures of Edinburgh from our collection next week to St Crispin's School. Using these pictures and a couple of prints by Scottish artist Jane Hyslop, several students will create works of art that show what Edinburgh means to them. The works will then be mounted and exhibited at a venue in Central Edinburgh, in conjunction with World Heritage Day. That's from April 15 to 22, so mark your calendars and watch this space! It's going to be fantastic.

St Crispin's School is a special school that provides education to primary and secondary-age children, and meets the additional needs of pupils with more severe, complex learning difficulties, according to its Web site. We visited the school last week to observe their learning, and are so moved by the dedication and patience shown by its teachers and helpers in making a difference in the children's lives. And they love art!

Similarly, EWH aims to make a positive impact on these children's lives by inspiring them to think about their environment and the city's architecture creatively. This is a pilot project for EWH to reach out to the young and other groups that have traditionally not been audiences of heritage. EWH's mandate is to build awareness of the city's World Heritage Site - consisting the Old Town and the New Town - by promoting enjoyment, understanding and appreciation of its value and significance, it says on its Web site.

This collaboration, we believe, will yield pretty great results. We'll be writing again after the event next week to show exactly what came out of it, so please do come back!

Have a great week ahead!
AiH