The Public Catalogue Foundation
By mid-December this year, the Public Catalogue Foundation (PCF)
will have uploaded the last remaining painting of approximately 210,000, by
some 45,000 painters and spanning 800 years to complete this colossal project
started in 2003. During that time the PCF have been tracking down,
photographing and cataloguing all oil, acrylic and tempera paintings held in
the public domain across the UK. The inclusiveness of this project on a
national scale is unique. Unlike other online resources, the PCF catalogue
includes all artworks, the great ones and the lesser ones. As many as 80% of
these paintings are normally out of sight and most of them have never been
photographed before.
To make this huge database available online the PCF sought
the partnership of the BBC which created the website ‘Your Paintings’ where
everyone can access it freely since its launch in 2011.
'Boats and Houses' by Leon Morrocco
NHS Lothian collection
The chronicle of the PCF work over the last nine years is as remarkable as its final achievement.
The story goes that its existence was born out of
frustration. While visiting a county gallery, art enthusiast Frederick Hohler was
told that no catalogue existed of their entire collection, so he simply decided
to do something about it. The PCF was launched as a not-for-profit charity
funded mostly by private grants and donations with less than 15% coming from
the public sector. Its total cost on completion will be just under £6m. Its
systematic search for paintings region by region has covered not only art galleries
and museums but also a lighthouse, fire stations, libraries, community centres,
and of course hospitals and care homes which is how Art in Healthcare (AiH) became
involved.
As one of AiH volunteers I was able to catch a glimpse of
the process involved and of the dedication of those working on the project when
I answered a call to go and help Elspeth Mackenzie, their collection manager, on
a photo shoot for the PCF in a couple of hospitals in Edinburgh. There I met
the local PCF team, Laura Walters, the coordinator and Andy Phillipson, the
fine art photographer.
Laura Walters and Andy Phillipson working on site.
Image courtesy of Iona Shepherd.
Laura, a researcher and art historian and one of 50 PCF regional
coordinators, had the task of making the initial contact with the collections. As
well as collecting and assessing all data, she planned the cataloguing exercise
according to the artworks location. She describes the process as ‘remarkably
straightforward’, a statement which does credit to her organisational skills
and unflappable calm. The fun part for Laura was visiting so many different
places from the residence of the First Minister of Scotland to Edinburgh Zoo, she explains: “One
of my favourite locations was Brodie Castle in the Highlands. It is part of the
National Trust for Scotland, and it seemed that around every corner was another
masterpiece. It took 7 or 8 days in total to catalogue the painting collection
there, and it was a real treat to see everything on offer.”
At the photo shoot, the volunteers were divided into two groups,
one would accompany Elspeth along corridors and wards to fetch the paintings
that could physically be carried to the makeshift photographic studio and the
other would assist Laura and Andy with the photographic process.
Paintings in public spaces have to be glazed for protection.
This creates a reflected glare which can be
prevented by two people holding a length of black cloth at strategic angles
determined by the photographer often perched on a chair or a table. When
paintings are too large to be taken down, they have to be photographed in situ.
The challenge that this presents in busy public places makes Andy even more
determined to get it right:
“It always gives me extra satisfaction to get a good
photograph of an awkwardly positioned artwork and one particular piece stood out
when Laura and I were shooting at a treatment centre in Edinburgh. It became
evident quite quickly that the only way to get the shot was to stand outside of
the building and have the doors electronically held open whilst I shot back
through them and onto the wall using a 400mm lens. I remember only having a few
centimetres spare to get a clear shot and also a few minutes before the heavens
opened and so felt extremely lucky to get the perfect photograph.”
'Testing the Breeze' by Dorothy Stirling
NHS Lothian collection
Back in his office, Andy would process the raw digital
images into catalogue-ready files and forward them to Laura who would finalise
the paintings data before passing them on to the PCF headquarters in London.
Because of its inclusive nature, the PCF catalogue
represents an invaluable tool for the free use of individuals and educators
such as Stuart Bennett, the head of the School of Art at Edinburgh College of Art (ECA):
“The PCF initiative is an excellent resource for all those involved in
education or interested in the work in public collections. ECA are working
proactively using collections as a way of extending understanding through
curation and practice."
With only a few weeks left, the PCF team in London are pulling out all the stops to meet their deadline as well as organising the tagging programme where members of the public are invited to tag paintings on the ‘Your Paintings’ website, to conclude this most democratic and revealing portrait of the UK, of its regions and institutions.
With only a few weeks left, the PCF team in London are pulling out all the stops to meet their deadline as well as organising the tagging programme where members of the public are invited to tag paintings on the ‘Your Paintings’ website, to conclude this most democratic and revealing portrait of the UK, of its regions and institutions.
'Red Ginger, Jamaica' by Margaret Mitchell
Art in Healthcare collection
The website ‘Your Paintings’ is compelling. It will sharpen your
awareness for artworks that might otherwise be taken for granted. In the words
of Andy Phillipson: “The breadth and size of the Art in Healthcare collection
through hospital wards, rooms, corridors and care homes is quite staggering and
I can’t imagine how these places would look without it.”
What will the PCF do after December? First they will be completing the publication
of the 40 regional printed catalogues while maintaining and enriching the
website and then, it is rumoured that, funding permitting, they will be turning
their attention to sculptures. We look forward to that.
Martine Foltier Pugh
is a freelance writer and visual artist based in Edinburgh.
With many thanks to the following people for their time, contributions
and information:
Alice Payne and Laura Marriott from the PCF London head office
Laura Walters and Andy Phillipson from the PCF in Scotland
Stuart Bennett from the School of Art, Edinburgh College of Art
Links to websites:
The Public Catalogue Foundation http://www.thepcf.org.uk/home
‘Your Paintings’ http://www.bbc.co.uk/arts/yourpaintings/
The PCF tagging programme http://tagger.thepcf.org.uk/
Edinburgh College of Art http://www.ed.ac.uk/schools-departments/edinburgh-college-art
Andy Phillipson http://www.livewireimage.com/
Leon Morrocco http://www.openeyegallery.co.uk/Open+Eye/Leon+Morrocco/
Margaret Mitchell http://www.margaretmitchellart.blogspot.co.uk/
Dorothy Stirling http://www.scottishartpaintings.co.uk/artist-dorothy-stirling.asp
Iona Shepherd http://www.ionashepherd.com
Leon Morrocco http://www.openeyegallery.co.uk/Open+Eye/Leon+Morrocco/
Margaret Mitchell http://www.margaretmitchellart.blogspot.co.uk/
Dorothy Stirling http://www.scottishartpaintings.co.uk/artist-dorothy-stirling.asp
Iona Shepherd http://www.ionashepherd.com
